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Most women have no character at all.',

"Yes, sir. If we had a good well I wouldn't have to drive the cows down to the lake every night, like this.",

"Great Scott! Bill, you mean to say it got ol' Harry?",

"He's awful mad," grinned Billy. "He's been keepin' this find to himself fer a long time." At sound of his master's voice Croaker paused in his harangue and promptly changed his tactics. He swooped down to Billy's shoulder and rubbed the top of his glossy head against the boy's cheek, whispering low and lying terms of endearment.

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The light-house keeper, who lived with his daughter in a comfortable house on the extreme end of the Point, had always been glad to welcome Hinter to his isolated loneliness. With an invalid's self-centeredness, he believed that it was to relieve the monotony of his existence that this man paid him periodical visits. He did not dream that his daughter, Erie, named after the lake, whose blue lay deep in her eyes and whose moods were of herself a part, was the real attraction which drew Hinter to their home. Indeed it would have taken a much more astute observer than the man who had been keeper of the light for more than thirty years to have observed this. Never by look, word or sign had Hinter shown that in this slender, golden-haired girl, whose laughter was the sweetest note in the world—this girl who could trim a sail in biting gale and swim the wide, deep channel when tempest angered it to clutching under-currents—was more to him than just a glad, natural product of her world. Always his manner towards her had been one of kindly respect. In time she grew ashamed of the distrust she had on first acquaintance intuitively felt for him. He was good to her father and considerate of her. He talked interestingly of the big outside world and described the cities he had visited. Her father liked him and always looked forward to his visits, and with a sick man's petulance grumbled if Hinter failed to come on his regular nights.,

"There you go, ag'in," cried Billy. "How many times have I gotta tell you, Maurice, that Trigger Finger Tim never used writin'. He used symbols—that's what he used. Do you know what a symbol is, you poor blockhead?",

"No. No!" came in chorus.,

The footman disappeared.